Shirley Bear is a multimedia artist, writer, traditional First Nation herbalist and Elder. Born on the Tobique First Nation, she is an original member of the Wabnaki language group of New Brunswick, Canada.
Creator of the much-coveted Shirley Bear Bear, she has played a crucial role in First Nation women’s, art and cultural communities. In 1989, she curated Changers: A Spiritual Renaissance, a national show of work by Aboriginal women artists, which toured all major galleries across Canada.
The 2002 recipient of the New Brunswick Arts Board’s Excellence in the Arts Award, Shirley Bear studied art in New Brunswick, New Hampshire, Boston, and Vancouver. She has worked extensively as a lecturer, performer, activist and curator including serving as Cultural Advisor to the British Columbia Institute of Technology, First Nations Education Advisor at Emily Carr Institute of Art & Design, and Resident Elder for First Nations House of Learning at UBC.
Shirley Bear has exhibited internationally and her work has been purchased by collections across Canada including the Canadian Museum of Civilization, the National Arts Centre, the New Brunswick Art Bank and First Nations House of Learning at the University of British Columbia.
Bear’s writing has been included in several anthologies including Kelusultiek published by Mount St. Vincent University and The Colour of Resistance from Sister Vision Press, as well as the catalogues for the exhibits Kospenay and Changers–A Spiritual Renaissance. She has been profiled for film and television, by CBC, the National Film Board and independent producers in such films as Minqwon Minqwon and Kwa’Nu’Te by Cathy Martin, Keepers of the Fire by Christine Welsh and The Sacred Feminine.
After a decade in Vancouver, Shirley Bear returned to live at Tobique in
the summer of 2006.